Here’s a fab tune from the Playford collection. Mary D has done some research and says: “Jack o’ Lent was a tradition in England in the 15th, 16th and 17th centuries involving the abuse and burning of a straw effigy during the season of Lent, ending with its burning on Palm Sunday. The effigy, made of straw or stuffed clothes, was abused and stoned on Ash Wednesday while being dragged about the parish.”
Here are the dots in PDF form.
Here are the chord sequences, with an added bonus 4th version, by way of an apology for the late post!
Here are the arrangements for the May 27th concert at Gunnersbury Park. We’re playing 2:00 – 4:00 (with an interval), and I’m hoping we can get in before that to have a rehearse and to settle into the space. We will do a concert spot of our arrangements and a ceilidh spot playing for some dances that I’ll call (I’ll put list up later in the week, though it’ll all be things we did at the Ealing Folk Dance Club). We may also be joined by a local Morris team, though I need to finalise the details with my contact as Gunnersbury and with the team themselves.
There are full details on the Gunnersbury House page here, including the address and transport links, and details on how to reserve tickets: http://www.visitgunnersbury.org/west-london-folk-band-summer-concert-2/. Spread the word – tickets are free but you can book, just in case we get inundated!
Here are the videos for Monday’s Morris Medley, The Lollipop Man first:
… and Shepherd’s Hey here:
And the dots for each are below, with a PDF file here. We did a basic harmony for the beginning of Shepherd’s Hey, but other than that concentrated on emphasising the rhythm in particular bars (Bars 2, 4, 6 and 8 in Lollipop Man and bars 5 and 6 in Shepherd’s Hey).
As promised/threatened, here is a link to the recording of Lollipop Man from The Mother of All Morris album (not from the Morris On series as I misremembered), it’s NSFW:
Here is the Dusty Miller, a fantastic 3/2 hornpipe first published in England in 1718 – it seems to have been very popular in the 1700s and early 1800s in England and Scotland in particular, and it also made its way to Ireland and America.
Here’s the video of the tune:
Here are the videos for the close harmony (2nd line of each system of the music):
…and the independent harmony (3rd line of each system of the music):
Here are the dots, with a PDF here:
The original and alternative chord sequences are available here. Enjoy!
Here are the dates for the summer term:
May 6th NO CLASS
May 27th DAYTIME CONCERT AT GUNNERSBURY HOUSE
July 15th POSSIBLY AN INFORMAL CONCERT AND SESSION AT OUR USUAL VENUE, TBC
Here’s the video from Dave’s session on April 8th, with apologies for the delay in posting. Here’s the tune:
…and here’s the chord part:
The dots for this tune can be found by clicking here. Massive thanks to the incredible Dave Delarre for this great session, and I’ll be back for the beginning of next term on April 29th.
Here are the video and dots for An Blew Treghy, with huge thanks to Beth Gifford for covering the class. An Blew Treghys is a Cornish Tune which Beth learned from the singing of Aimee Leonard and recorded by Aimee’s band Anam on their album Riptide.
The dots can be found as a PDF file here.