Category: Tunes in 6/8

Here’s our opening tune of the term, Rig a Jig Jig it’s an cheerful English jig, with a lot of bounce! Here’s a demo of the tune:

Here are the dots, with a PDF available here:

This tune contains a lot of arpeggio shapes, so I set the challenge of adding some extra notes in between the small intervals that these shapes give us- you might have spotted some of these variations creeping into in my demo video! So for instance, you could add an A in between the first two notes of bar 2, giving you a quaver run of BAG. These subtle little variations are just one way in which folk musicians play around with tunes, and they can be dropped in here and there for variety and as a way of putting your own stamp of individuality on the tune. Try a few out – maybe one every couple of bars or so – and see what you like the sound of!

The penultimate tune of the term is a tune that I learned from Laurel Swift. It’s listed in Dave Townsend’s English Dance Music vol. 1 as the C and D parts of the better known Rogue’s March, as sung here by John Tams and Barry Coope:

This well known tune dates back to the late 1700s, and is said to have been used across the British Isles and America to drum disgraced soldiers out of the army. However, I’ve not been able to find any reference to the C and D parts of the tune, so it’s a bit of a mystery!

Here is a slower and faster version of the tune. The faster part includes the turns that we added throughout the tune wherever a step-wise crotchet-quaver pattern occurs on the first beat of a bar.

Here is a walkthrough:

Here are the dots:

A PDF with the dots can be downloaded below, along with a second PDF with standard and alternative chords:

This week we learned a tune called Jack’s Alive, a tune from the 18th century that’s in the English, Scottish and American traditions.  This is an English version, but it’s worth looking up others, I recommend folktunefinder.com and https://tunearch.org/ as fairly reliable sources of tunes and, critically, of background information.

Video 1 is a slower and faster play through for you to listen to:

 

We then have a walk through:

 

Here are some ideas about about ornamentation:

 

And a few more about little variations for the tune:

 

Finally here are the dots, with a PDF available here:

 

The chord chart with the second chord sequence is available here– these show how you can get stuck in a G -D – G – D pattern if you only stick to the obvious chords, but suggest a route out of this!

Hi all, here is the last tune of the term, the Irish slide Star Above the Garter.  Since we’ve played some tunes from Kerry over the last few weeks, in our warm ups and as a main tune, it seemed appropriate to stay in that general area!  There’ll be a bit of a break now until mid-April during which I’ll experiment with different formats, structures, subscriptions and technologies since it’s currently looking like we won’t be able to meet in person for some time.  Please assume that online content will replace meetings until further notice.

Again these videos are supposed to be a substitute for our group sessions, so if you’re not a yearly subscriber and have enjoyed this post, please consider making a small donation via Paypal (you don’t need a Paypal account to donate).  Enjoy, and I’ll be in touch soon!

The PDF of the basic tune is available here, but I would really recommend relying on your memory and relearning the tune from the video as and when you forget it – each subsequent time you learn the tune from the video, you will pick it up faster and will be a little more likely to retain it over time.  If you rely on the sheet music then you’re not practising remembering the tune!

Next, here’s a video with bowings and ornaments, with a PDF (including a harmony and bass line) available here.

Last but not least we have a video of the tune, harmony, chords and bass line together – the harmony part is high in the mix, but I’m since I’ve not recorded it anywhere else I’ve decided to leave it as is!

Monday 6th January was our first week back and we covered a range of tunes, starting with the Plane Tree jig and its possibly original 4/4 counterpart Schottishe a Bethanie (video link to the fabulous Mel Biggs of Morai and ‘Pick Up and Play’ fame).  We used this tune as inspiration and the second half of the night was taken up with Kit White’s no.2, which we recapped and then collectively turned from a polka into a jig. 

I’ve roughly notated the various stage we went through to reach the end product; at stage one we played even quavers in 6/8 to fill out the bars, at stage two we simplified the rhythm and at stage three we replaced key patterns with ‘hill’, ‘ditch’, ‘zig zag’ or scale shapes.  Each replacement was selected from two or three options presented by me and voted on by the group – the title refers to the idea that a camel is a horse designed by committee!  

 

Dots in PDF form can be found here.

 

Here is the tune from 7th October’s class: The Doctor.  It’s a tune from Aird’s Airs and Melodies Book of tunes from England, Scotland and Ireland but I’ve also found it in the 1823 Jackson manuscript from Wyresdale, Lancashire.  

 

Here are the dots, with a PDF available here.

Here is the tune from Monday 30th’s session, with apologies for the late posting.  This is a tune by Peter Barnes, it can be found in the book “The Portland Collection: Contra Dance Music in the Pacific Northwest”.  Peter says of this tune: “I actually wrote this tune on the fiddle when I was trying to teach myself that instrument in the mid ‘70’s. I made it easy to play on the violin, which may account for its totally unexpected popularity.  Since then it’s been recorded eleven times (usually without my permission!) and has had two dances choreographed to go with it.” 

 

 

Here is the PDF file.