Newtondale Hornpipe

Here is the Newtondale Hornpipe, a fantastic tune with trad roots which was adapted and reworked by fiddler extraordinaire Dave Shepherd.  There’s a fantastic recording of the tune on the album Dave made with Becky Price, Ashburnham, which can be found here.  I learned this tune recently from fiddler Nick Goode.

 

Here are the dots, with a PDF here:

Newtondale Hornpipe

Bacca Pipes

A delayed post from January 13th: Bacca Pipes is a tune and dance from the Cotswold Morris tradition and is danced over two crossed tobacco pipes, making it a form of sword dance of the kind found across Europe.  It’s related to the tune Greensleeves and was collected by Cecil Sharp on August 30th 1909 from musician Thomas Delaney in Sevenhampton, Wiltshire.

 

Here are the dots, with a PDF here:

Bacca Pipes

Goddesses

Here’s Goddesses, a tune from the Playford collection.

 

Here are the dots with a PDF available here:

Goddesses.png

Printed versions often have the last bar of each section printed the other way around, so as ‘crotchet crotchet minim’ – I’ve always played it this way and I can’t remember why!  Apart from that I like it, and that seems as good a reason as any to me!

Carol of the Bells

Here is the piece we learned on Monday 11th November, Carol of the Bells.  This was arranged by Ukrainian composer Mykola Leontovych in 1914, based on a Ukrainian folk chant called ‘Shchedryk’.  We divided the piece into four phrases – phrases one and two can be played simultaneouly and with the bass line.  The structure is pretty free at the moment, with everyone following my hand signals, we might formalise it later.

 

And here are the dots, with a PDF available here:

Carol of the Bells

The Mallard no 2

Here is the tune ‘The Mallard no 2’.  It’s in Dave Townsend’s English Dance Tunes book but I can’t find it anywhere else – there are other tunes and songs that share the title but none with the same melody.

 

The Mallard no 2

The PDF can be found here.  Fiddle players might want to try double stopping with the open G string in the first two bars, then the D string in the next bar before going back to the G string for bars five and six.  In the second section, you can double stop with the open G string for the first three bars.