Author: debfiddle

Deborah is a violinist and violist specialising in English folk music. She trained in viola and Baroque viola at Birmingham Conservatoire, before returning to her first love of traditional music, song and dance. She is a member of Stepling, a band performing English music, step-dance, song and percussion. She also plays for a number of function bands, performing at barn dances and ceilidhs across the UK. Deborah has played with a number of folk artists, dance and theatre projects. She plays with Folk Dance Remixed, a dance company combining traditional dance with hip hop and street dance styles, performing as such events as Car Fest, the Southbank's Festival of Love and Glasgow's Commonwealth Games Festival. She records on a regular basis for a number of people, including The Mystery Fax Machine Orchestra, and for Laurel Swift's 'Travelling with Thomas' musical. Deborah teaches music, song and dance regularly for The English Folk Dance and Song Society, as well as on a freelance basis for various workshop series, festivals and music services. She is currently studying on The Teaching Musician MA degree course at Trinity Laban.

Trip to Marrowbones, or Four Bare Legs Together

This is one of my favourite slipjigs, the fabulously named Trip to Marrowbones, also known as Four Bare Legs Together and as The Raking Quality.  It comes from the 1770 Northumbrian manuscript from William Vickers.  This is the F major version, there is another where most of the Fs become F sharps, taking the tune into G minor.  We recorded this G minor version for the Stepling album as part of our ‘Saucy Set’, this can be found here at 1:35.  For clarity I’ll not post the dots for that version just yet, I think we need to let the major version settle first!  I had thought that I had learned this from an Eliza Carthy and Nancy Kerr album, but this doesn’t seem to be the case – goodness knows where it came from!

 

Here are the dots, with filled-out chords, PDF can be found here:

Trip to Marrowbones

Newtondale Hornpipe

Here is the Newtondale Hornpipe, a fantastic tune with trad roots which was adapted and reworked by fiddler extraordinaire Dave Shepherd.  There’s a fantastic recording of the tune on the album Dave made with Becky Price, Ashburnham, which can be found here.  I learned this tune recently from fiddler Nick Goode.

 

Here are the dots, with a PDF here:

Newtondale Hornpipe

The Yellow Haired Laddie

With Burns night approaching, it seemed appropriate to learn a Scottish tune; this tune dates back to at least the early 1700s, remaining popular for quite some time as it was used in several ballad operas in the 18th century as well as being used as a retreat march by the British military, specifically by the 37th Regiment.  It was printed in many books across Scotland as well as making its way into a few English books too.

 

The Yellow Haired Laddie

The PDF can be found here.  We used two basic accompanying rhythms for the drums and guitars:

yhl rhythms

Bacca Pipes

A delayed post from January 13th: Bacca Pipes is a tune and dance from the Cotswold Morris tradition and is danced over two crossed tobacco pipes, making it a form of sword dance of the kind found across Europe.  It’s related to the tune Greensleeves and was collected by Cecil Sharp on August 30th 1909 from musician Thomas Delaney in Sevenhampton, Wiltshire.

 

Here are the dots, with a PDF here:

Bacca Pipes

Kit White’s Camel!

Monday 6th January was our first week back and we covered a range of tunes, starting with the Plane Tree jig and its possibly original 4/4 counterpart Schottishe a Bethanie (video link to the fabulous Mel Biggs of Morai and ‘Pick Up and Play’ fame).  We used this tune as inspiration and the second half of the night was taken up with Kit White’s no.2, which we recapped and then collectively turned from a polka into a jig. 

I’ve roughly notated the various stage we went through to reach the end product; at stage one we played even quavers in 6/8 to fill out the bars, at stage two we simplified the rhythm and at stage three we replaced key patterns with ‘hill’, ‘ditch’, ‘zig zag’ or scale shapes.  Each replacement was selected from two or three options presented by me and voted on by the group – the title refers to the idea that a camel is a horse designed by committee!  

 

Dots in PDF form can be found here.

 

Kit White's Camel_0001Kit White's Camel_0002.png