Here are the videos from guest tutor Beth’s class, where she taught Epping Forest, a tune from the 4th edition of Playford’s ‘Dancing Master’ manuscript (1670). Huge thanks to Beth for covering the session! Here’s the tune:
And here’s the riff:
And here’s the riff for Lord Frog, the tune for which can be found on the old Ealing Session website here:
Not to be confused with any of the Shetland tunes of the same name! I know this tune from playing in sessions and in trying track down it’s origins I’ve found it listed as ‘The New Rigged Ship no 2’ or ‘The Rigged Ship’ in England where its played as a jig, as ‘The Hills of Glenorchy’ in Scotland where it’s played as a march or quickstep, and as ‘The Wild Hills of Wannie’ in Northumberland where it’s played slowly as an air. There are numerous other titles for it, and variations of it, and it seems well travelled! Often a sign of a good tune….
The PDF of the tune, chords and bowing/ornaments variations is here, and the dots are below. We improvised in the B section by making up our own rhythms for alternating between Es and Bs in bars 9-10 and then between Ds and As in bars 11-12, and then back to to Es and Bs for bars 13-14 before picking up the tune again in the last two bars (aka at the ‘tail’). ‘Stab’ chords played every two bars helped punctuate the changes here.
This is a jaunty polka by Devonshire fiddler Fred Pidgeon (yes, I know I’ve spelled his name differently in the title, but this is now the tune and his surname are normally written respectively). I’ve kept the chords simple to bring out the cheerful, bouncy character, though you could substitute a few Em or maybe some C chords in instead of some of the G majors – have an experiment! Stephen suggested using a G maj7 in place of the D chords in the first two bars – I like this, but try also replacing the D chords in the fourth and seventh bars with a D6 chords to fit with the slightly dreamy feel that this creates. We found that the harmony in the B part also fits the tune of the A part, so there are lots of possibilities!
Here are the dots (tune with chords, tune with suggested phrasing and ornaments, and harmony) with a PDF available here..