Our final tune of the term: Stingo can be found in the 1651 edition of Playford’s Dancing Master, with versions known as Cold and Raw, Oil of Barley and many other names. Here’s a video with demos on the viola this time, for the sake of variety and definitely not because that was the instrument I had out and I’m too lazy to switch.

Here are the dots:

We played with the idea of adding ‘fidgets’ in as melodic/rhythmic variations – where you have two notes the same, try adding a note in between, either going up or down a step. Here is a PDF with some examples in red, and underneath it the PDF of the original:

Finally here’s the fantastic Eliza Carthy version, turned from 6/8 to 4/4 (this whole album is amazing, give it a listen!):

Merry Christmas everyone!

Furze Field

A gorgeous tune to go with Cumberland Waltz. Furze is another word for gorse, and this tune/song was collected in Hampshire in 1907 from Moses Mills. I’ve included a recording of the Watersons singing it at the bottom of the page, there the tune to the song is a little different from our tune. Here is a video with a slow and faster play through:

Here are the dots:

Here’s a PDF of the basic tune and chords:

We experimented by adding some turns in passages where the melody moved down by step, and added rhythmic variation by subdividing the last note of some bars. These were either just subdivided (blue), or else the second of note of the pair was changed to a D (red) as this fitted the chords, as is very satisfying on the fiddle! The effect is that you create more rhythmic movement and some forward momentum into the next bar. Here is a link to an example – it’s not a definitive version, it’s just one set of options and the idea is to experiment and come up with various placements that you like: