Stingo

Our final tune of the term: Stingo can be found in the 1651 edition of Playford’s Dancing Master, with versions known as Cold and Raw, Oil of Barley and many other names. Here’s a video with demos on the viola this time, for the sake of variety and definitely not because that was the instrument I had out and I’m too lazy to switch.

Here are the dots:

We played with the idea of adding ‘fidgets’ in as melodic/rhythmic variations – where you have two notes the same, try adding a note in between, either going up or down a step. Here is a PDF with some examples in red, and underneath it the PDF of the original:

Finally here’s the fantastic Eliza Carthy version, turned from 6/8 to 4/4 (this whole album is amazing, give it a listen!):

Merry Christmas everyone!

Author: debfiddle

Deborah is a violinist and violist specialising in English folk music. She trained in viola and Baroque viola at Birmingham Conservatoire, before returning to her first love of traditional music, song and dance. She is a member of Stepling, a band performing English music, step-dance, song and percussion. She also plays for a number of function bands, performing at barn dances and ceilidhs across the UK. Deborah has played with a number of folk artists, dance and theatre projects. She plays with Folk Dance Remixed, a dance company combining traditional dance with hip hop and street dance styles, performing as such events as Car Fest, the Southbank's Festival of Love and Glasgow's Commonwealth Games Festival. She records on a regular basis for a number of people, including The Mystery Fax Machine Orchestra, and for Laurel Swift's 'Travelling with Thomas' musical. Deborah teaches music, song and dance regularly for The English Folk Dance and Song Society, as well as on a freelance basis for various workshop series, festivals and music services. She recently completed The Teaching Musician MA degree course at Trinity Laban, graduating with Distinction.

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