This is Maggie in the Woods, a fabulous polka from Ireland, but again one’s that’s put its boots on and travelled the world! It will go in a set with Battered Hake and then Tralee Gaol.
Here are the videos of the tune
…and the harmony for the B part here:
Here are the dots:
There is a PDF available here.
This is Mount Hills, from the Playford collection.
Here’s the video of the tune played slowly:
And then the tune played at speed, in the higher and lower registers:
Here are the dots, with the chords from memory so apologies if they aren’t what we had on the day, I will change them if necessary! The PDF is available here.
This is a fantastic tune by banjo player Colin Cotter.
Here are the dots for the tune:
Click for the tune in PDF form, and here is a version with the A part harmony and B part variation.
Lastly, here’s a video with a suggested chord rhythm.
Here’s a fab tune from the Playford collection. Mary D has done some research and says: “Jack o’ Lent was a tradition in England in the 15th, 16th and 17th centuries involving the abuse and burning of a straw effigy during the season of Lent, ending with its burning on Palm Sunday. The effigy, made of straw or stuffed clothes, was abused and stoned on Ash Wednesday while being dragged about the parish.”
Here are the dots in PDF form.
Here are the chord sequences, with an added bonus 4th version, by way of an apology for the late post!
Here are the videos for Monday’s Morris Medley, The Lollipop Man first:
… and Shepherd’s Hey here:
And the dots for each are below, with a PDF file here. We did a basic harmony for the beginning of Shepherd’s Hey, but other than that concentrated on emphasising the rhythm in particular bars (Bars 2, 4, 6 and 8 in Lollipop Man and bars 5 and 6 in Shepherd’s Hey).
As promised/threatened, here is a link to the recording of Lollipop Man from The Mother of All Morris album (not from the Morris On series as I misremembered), it’s NSFW:
Here is the Dusty Miller, a fantastic 3/2 hornpipe first published in England in 1718 – it seems to have been very popular in the 1700s and early 1800s in England and Scotland in particular, and it also made its way to Ireland and America.
Here’s the video of the tune:
Here are the videos for the close harmony (2nd line of each system of the music):
…and the independent harmony (3rd line of each system of the music):
Here are the dots, with a PDF here:
The original and alternative chord sequences are available here. Enjoy!
Here are the video and dots for An Blew Treghy, with huge thanks to Beth Gifford for covering the class. An Blew Treghys is a Cornish Tune which Beth learned from the singing of Aimee Leonard and recorded by Aimee’s band Anam on their album Riptide.
The dots can be found as a PDF file here.