Here is the harmony for Remaica, based on set rhythms and intervals rather than following the tune too closely:
Here are the videos and dots from Monday’s class – a remake/recycling of a Playford tune called Jamaica, that has been christened Remaica (thanks to Bob for that little bit of punning gold!). The idea of re-imagining a tune is something we’re going to look into over the next few weeks. This version is in D Dorian mode – the original can be found at the bottom of the post for comparison!
Here are the dots:
Here is a PDF of Remaica, and another of the original tune Jamaica:
And finally, a video of the original tune, Jamaica, in its original tuning of F major.
Something a little different this week – an extremely old hymn from Orkney in the Lydian mode. This mode is similar to a major scale but has a raised 4th, it’s quite an unusual mode but very beautiful! We tried harmonising with minim F-G patterns in the first half and minim C-D in the second half, as demonstrated in the second video (you could actually play C-D all the way through). We added single cuts in between repeated notes and turns in places where the melody descended by one or two steps.
Here are the dots, with a PDF beneath:
Here is a video for a plain version and one with ornamentation, and a video of the tune and harmony together:
Here is the tune from the last week of term (with one week owed and to be made up by me this coming term), The Wind that Shakes the Barley. This is a fantastic Irish reel and follows on well from The Witch in the Glen. Here is a video with a slow and faster version:
Here are the dots, with some suggested bowing/phrasing patterns.
Here is a PDF:
Here is the rest of our March tune, The Witch of the Glen. We’ll cover the last section on March 14th. Here are the dots with a PDF and a video. The bowing/phrasing are just a suggestion but they indicate the groove that we’ll be using on Monday. We’ll also talk about ornamentation, applying the ornament variation that we looked at last week and trying out a few other options too.
Here is a PDF:
And a video with a slower and faster version:
Here is the first section of our new tune The Witch of the Glen, aka The Green Fields of Rossbeigh. This video goes through the first two phrases with ornamentation ideas:
Here are the dots so far! No PDF yet, I’ll put that up when we’re further through the tune, along with a chord chart. Again, I strongly recommend as always that you work from recordings rather than dots.
Here’s Monday 21st’s tune, a jig from Shetland called The Foula Reel, aka Da Shaalds o Foula, or Boanie Tammie Scollay. It’s a pentatonic (five note) tune that’s deceptively simple and repetitive!
Here’s a video with a slower and faster version:
Here are the dots, with the harmony/bass line.
Here’s the PDF:
Monday 28th’s tune is Hector the Hero by James Scott Skinner. Written in 1903, the tune was composed as a tribute to Major General Sir Hector MacDonald (1857-1903), a celebrated and decorated military officer who died of suicide following public accusations of homosexuality. Scott Skinner’s tune has remained popular since it’s composition.
Here is a video of the tune, with a slow and plain version followed by a faster and more decorated version of the tune.
Here is the download of this tune, and a second version with suggestions of bowing, variation and ornamentation.
Here is the B section of last week’s tune Gille-Callum, with further ideas on how to practise these rhythms:
Here’s a video of the B section and some practise methods:
Here a video of the whole tune played slowly:
Finally a PDF of the whole tune and chords:
and as a little extra, here’s the E5 chord for the ukulele players!
Finally, I’ve done a simplified version of the tune here, essentially removing a few (but not all of) of the trickier rhythms, for anyone who would like it: