Allonby Lasses is a reel from the Lake District, from the 1825 Browne family manuscript. It’s is undoubtedly similar to a number of other tunes, specifically the Flagon Reel (present in the 1770 Vickers manuscript from around Newcastle, also widespread across the Scottish Borders at the same time) and the related Flogging Reel (Irish). As I’ve said before, a good tune will travel! It seems to be very much a pipe tune, which would go some way to explain why there are versions in G Mixolydian and G major, according to the limitations/quirks of Northumbrian/Border/Uillean pipes.
Here are the dots:
We played with the emphasis of different notes to create different kinds of drive or groove. Here is a PDF of the things we tried:
Deborah is a violinist and violist specialising in English folk music. She trained in viola and Baroque viola at Birmingham Conservatoire, before returning to her first love of traditional music, song and dance.
Deborah has developed a passion for playing for dancing since joining her first ceilidh band at age 13. She is a member of Stepling, a band performing English music, step-dance, song and percussion, and also plays with Folk Dance Remixed, a dance company combining traditional dance with hip hop and street dance styles, with whom she has performed as such events as Car Fest, the Southbank's Festival of Love and Glasgow's Commonwealth Games Festival.
Deborah records on a regular basis for a number of people, including The Mystery Fax Machine Orchestra, and for Laurel Swift's 'Travelling with Thomas' musical.
She teaches music, song and dance regularly for The English Folk Dance and Song Society, as well as on a freelance basis for various workshop series, festivals and music services. Deborah recently completed The Teaching Musician MA degree course at Trinity Laban, graduating with Distinction.
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