Accompaniment patterns for tunes in 3 time

In order to create an accompanying pattern for our recent tunes in 3, we took inspiration from the melodic pattern in bar one of La Tete Ailleurs. This is essentially an E minor triad (three note chord) so we played it and then transposed the pattern for each chord in the piece, starting on an A for the A minor chord, a D for the D major chord etc.

We then took things up a notch, changing the inversions of the triads to keep the patterns a similar register. What’s an inversion? It’s the order in which you play the notes, for instance an A minor triad is ACE in root position, CEA in first inversion and EAC in second inversion. Below is a version that uses root and second inversion chords to create a part that flows.

We switched to long notes in the B section to vary the texture, choosing the root note of each chord.

The Bath Hornpipe

Welcome back! We started the term with a jolly, bouncy tune called The Bath Hornpipe, from a manuscript of collector Frank Kidson. This tune turns up in various Yorkshire collections from around the 1840s and 1850s, sometimes under this title and sometimes as Newton’s Hornpipe. We are playing it as a dotted hornpipe… for now!

Here are the dots and video: