This is most likely La Marianne, though I have always known it as Madelaine, possibly a fancier version, or a mishearing, but anyway – here it is! PDF here, and video and dots below.

This is most likely La Marianne, though I have always known it as Madelaine, possibly a fancier version, or a mishearing, but anyway – here it is! PDF here, and video and dots below.

Here are the dots, PDF and video for the Dark Girl Dressed in Blue, also known as The Duchess (at least to me and Kerry Fletcher, can’t find it listed as this anywhere else!) and as Over the Waterfall in Old Time circles, albeit with the A and B sections reversed. There appears to be a song version of the tune dating back to about 1850, with lyrics by music hall star Harry Clifton (1824-1872), though recordings I can find are to a slightly different though seemingly related tune.

Here are the video, dots and PDF of the Holborn March, which was published in ‘Wright’s Compleat Collection of Celebrated Country Dances’ in 1740.
Here’s the faster, frillier version:

In preparation for our appearance at Ealing Country Dance Club, I’ve pulling some tunes out of the archive – I’ll recap these over the next couple of weeks, developing chord sequences, harmonies and the like. In addition to the tunes we’ve learned this term, I’ve chosen:
and also Soldier’s Joy, which I’ll film and post later in the week.
More to come!
Here’s a flyer for an old time workshop, dance and concert coming up in Richmond on Saturday 10th November.

Here’s the Whitehall Minuet, a tune in three from the Playford collection which dates from the early 1700s.
Here are the dots for the tune (PDFs here for the tune, and the tune with ornaments and phrasing):

In the chords, we alternated between a playing a straight three for two bars (1 & 2 & 3 &), and playing a syncopated rhythm for two bars (1 & 2 & 3 &), which looks a bit like this:

Technically we’re going from a 3/4 feel to a 6/8 feel, giving the tune a bit more movement and forward momentum, maybe verging on feeling a little like a jazz waltz. We kept it to two bar chunks for the sake of clarity and ensemble but you could experiment with changing the rhythm in different places at home. Here’s me noodling about with the rhythm:
Tunbridge Beauties is a tune from ‘The New Country Dancing Master’ collection by Walsh and Randall from 1711. It’s been recorded by Boldwood on their fantastic ‘Feet Don’t Fail Me Now’ album.
Here are the dots (PDF here), with a basic version and an ornamented, phrased copy.

Below are the basic dots for the groove (PDF here) that we created to accompany the tune.

Here are the videos from guest tutor Beth’s class, where she taught Epping Forest, a tune from the 4th edition of Playford’s ‘Dancing Master’ manuscript (1670). Huge thanks to Beth for covering the session! Here’s the tune:
And here’s the riff:
And here’s the riff for Lord Frog, the tune for which can be found on the old Ealing Session website here:
Here are the PDFs for the tune, the tune with bowing, the the tune with bowing and riff and the Riff, with the regular dots below.

