This is Tralee Gaol, an Irish polka that I know from playing for ceilidhs. It goes by many names and seems to be pretty widespread in Ireland and also across various parts of the world!
Here’s the video:
And the dots are here, with a PDF also available:
This is Mount Hills, from the Playford collection.
Here’s the video of the tune played slowly:
And then the tune played at speed, in the higher and lower registers:
Here are the dots, with the chords from memory so apologies if they aren’t what we had on the day, I will change them if necessary! The PDF is available here.
This is a fantastic tune by banjo player Colin Cotter.
Here are the dots for the tune:
Click for the tune in PDF form, and here is a version with the A part harmony and B part variation.
Lastly, here’s a video with a suggested chord rhythm.
Here’s a fab tune from the Playford collection. Mary D has done some research and says: “Jack o’ Lent was a tradition in England in the 15th, 16th and 17th centuries involving the abuse and burning of a straw effigy during the season of Lent, ending with its burning on Palm Sunday. The effigy, made of straw or stuffed clothes, was abused and stoned on Ash Wednesday while being dragged about the parish.”
Here are the dots in PDF form.
Here are the chord sequences, with an added bonus 4th version, by way of an apology for the late post!
Here are the videos for Monday’s Morris Medley, The Lollipop Man first:
… and Shepherd’s Hey here:
And the dots for each are below, with a PDF file here. We did a basic harmony for the beginning of Shepherd’s Hey, but other than that concentrated on emphasising the rhythm in particular bars (Bars 2, 4, 6 and 8 in Lollipop Man and bars 5 and 6 in Shepherd’s Hey).
As promised/threatened, here is a link to the recording of Lollipop Man from The Mother of All Morris album (not from the Morris On series as I misremembered), it’s NSFW:
Here are the video and dots for An Blew Treghy, with huge thanks to Beth Gifford for covering the class. An Blew Treghys is a Cornish Tune which Beth learned from the singing of Aimee Leonard and recorded by Aimee’s band Anam on their album Riptide.
The dots can be found as a PDF file here.
Here’s Small Coals and Little Money, a tune from the 1882 Northumbrian Minstrelsy manuscript. The A and B parts are almost identical so we created variation by varying the chord patterns and rhythms, taking out some notes in the melody, and trying out ornamentation.
Here are the dots:
For the PDF, click here.
In the chord part, we used a ‘chugging’ rhythm for the A part, and then a more relaxed rhythm in the B part.
Melody instruments created a groove for the A part by switching between A minor and G major notes (click here for the chart, the beats are minim beats, so 2 slow beats per bar).
Geraint has kindly passed on the link to his own recording of our end of night play-through, for some folk class realness: https://soundcloud.com/ger-evans/small-coals-and-little-money/s-olvae