Welcome back! We started the term with a jolly, bouncy tune called The Bath Hornpipe, from a manuscript of collector Frank Kidson. This tune turns up in various Yorkshire collections from around the 1840s and 1850s, sometimes under this title and sometimes as Newton’s Hornpipe. We are playing it as a dotted hornpipe… for now!
Here are the dots and video:
Here are the dots and video for Johnny’s Gone to France. There was some discussion over the origins of this tune on Monday as I, and many others, felt that that it sound pretty Irish! Further research shows that this tune is in The Fiddler’s Tune Book Vol. 2 by Peter Kennedy (1954), which covers tunes from all over the British Isles, it’s listed as on TuneArch.org as an English reel, and it’s also in Michael Raven’s English Country Dance Tunes book (1984). However! The version in the Raven book is slightly different to the version I know specifically at the end – I play both on the video – which makes it sound a lot less Irish. This makes me think that it is an English reel after all, of the type similar to tunes such as Wednesday Night, Dear Tobacco and Cuckold Come Out the Amery. I find the alternative titles/related tunes that have been suggested on various sites to be rather tenuous at best, so this is what we’re going with!
For those of you that are interested, here is the Michael Raven’s version:
Here is the arrangement of Fete de Village that we put together on 30th September.
Here are the videos I took during the sessions (edited into one video), with all three parts:
Here are some of the other videos that people have found:
Fete de Village is a country dance tune that’s been in the English tradition for well over 200 years, but it started life as music from a stage production of the same name by French composer Gossec. This production came to England in the 1780s, after which time this tune can be found in various English tune collections such as those of William Mittel and Thomas Hammersley as well as in the infamous 1785 ‘A Selection of Scotch, English, Irish and Foreign Airs’ by Aird (vol. II). Source: Trad Tune Archive
I’ve included a version of the tune by Bellowhead below, partially because it’s brilliant but also because it’s too late in the evening for me to record a video, I will remedy this tomorrow! *EDIT – there is now a video of the tune played at a medium speed below the Bellowhead video*
Here are the dots and downloads:
We played with the arpeggio patterns in the B section, building these up gradually and trying different inversions to create an automatic harmony. Brush up on your D and G major arpeggios, there will be more on this next week!
These tunes have been rattling around for a while, with about half the class attendees knowing them and the other half not. Time to even the playing field!
Spootikerry is a tune by Ian Burns from Shetland, Willafjord is also a Shetland tune and the two are often played together in a set.
Here is our new tune from 20th May, Peace and Plenty. It’s a tune from the 1718 edition of the Playford collection, I learned this from fantastic fiddle player Ben Potton, it is a little different than in that early manuscript, but only in the connecting/passing notes. It’s related to the Old Molly Oxford/Old Tom of Oxford Morris tune and we will potentially pair it with Old Meddon.
Here is the PDF:
An English Morris tune for May Day, Old Meddon of Fawsley from the Longborough (Gloucestershire) tradition. I’ve not found any videos of this being danced, not sure why because it’s a fantastic tune! I think it’s related to Idbury Hill, given the similarities in the B part, but it definitely stands alone as a great tune. I found it in Chris Bartram’s English Fiddle book, which I would highly recommend.
Here’s Broad Hoops, as tune from Lancashire that appears in the John Winder collection of 1835-41. Anyone interested in this, or indeed any other folk tune collections from England should check out the village-music-project.org.uk
Here is Sawney Dear, a country dance tune from Lancashire (tune, riff and rhythm).
Here are the dots, with a PDF download underneath:
We took our recent tunes, The Great North Run and Ger the Rigger, and tried swinging the rhythm to give them more of a hornpipe feel. I’ve come across both tunes played this way, so it really is a case of two for the price of one!