Here are the dots, PDF and video for the Dark Girl Dressed in Blue, also known as The Duchess (at least to me and Kerry Fletcher, can’t find it listed as this anywhere else!) and as Over the Waterfall in Old Time circles, albeit with the A and B sections reversed. There appears to be a song version of the tune dating back to about 1850, with lyrics by music hall star Harry Clifton (1824-1872), though recordings I can find are to a slightly different though seemingly related tune.
Here are the video, dots and PDF of the Holborn March, which was published in ‘Wright’s Compleat Collection of Celebrated Country Dances’ in 1740.
Here’s the faster, frillier version:
Here’s Soldier’s Joy, video from Laurel, basic dots from me! PDF here.
Here’s the video and dots for Bagpipers. PDF here.
This is a jaunty polka by Devonshire fiddler Fred Pidgeon (yes, I know I’ve spelled his name differently in the title, but this is now the tune and his surname are normally written respectively). I’ve kept the chords simple to bring out the cheerful, bouncy character, though you could substitute a few Em or maybe some C chords in instead of some of the G majors – have an experiment! Stephen suggested using a G maj7 in place of the D chords in the first two bars – I like this, but try also replacing the D chords in the fourth and seventh bars with a D6 chords to fit with the slightly dreamy feel that this creates. We found that the harmony in the B part also fits the tune of the A part, so there are lots of possibilities!
Here are the dots (tune with chords, tune with suggested phrasing and ornaments, and harmony) with a PDF available here..
Wednesday Night is a fabulous 16 bar tune recorded as a ‘Country Dance’, and it exists in both the English and Welsh traditions (as Nôs Fercher in Welsh). The earliest record of it I can find is in a collection by William Clark of Lincoln published in 1770, though it seems to turn up in a few different collections at around that time. Here’s the tune, harmony, bass line and chords – I’ve not written out a separate chord chart due to the way the chords fit with the rhythm of the tune. I’ve also added a version with suggested phrasing and ornaments.
This is an English jig that I know from various sessions, I think I originally learned it from fantastic box player Barry Goodman. Here it is as a PDF, the tune and chords. I suggest that we play this in a set after Moll of the Wod. The harmony for the A part is listed under the tune