A tune from Norfolk, the Swanton Abbot Hornpipe (originally just called Hornpipe) collected by George Watson in the late 1800s. There is a nice write up on the Village Music Project website about the Watson collection, for anyone who’s interested.

You’ll notice that the chords don’t resolve the D at the end of each section – this is on purpose! We often think of a 32 bar tune as being just that but in reality the tune will be played four or five times in a row, and so the constant return to the tonic key at the end of each section can become somewhat tedious. While we won’t use the G chords every time, this serves as a reminder to think of the whole arc of the repeated tune and not just the short, written down tune that we see in the notation.
Here’s a fantastic version of the tune by Nick Wyke and Becki Driscoll
https://nickwykeandbeckidriscoll.bandcamp.com/track/george-watsons-hornpipe
And a very different version by Dave Shepherd:
UPDATE:
Here’s a PDF of the accompaniment pattern, with its stereo effect:
and a video of the accompaniment alone (beginning) and with the tune (from 1:46) – my phone hasn’t picked up the pattern very well, but you can hear it in places.








