The Mallard is a tune from a long time ago! I wanted to revisit it and to potentially pair it with Enfield Wash, though I found it a bit notey and so wanted to simplify it a little.
Stage one: we took out as many notes as we could until we had the bare skeleton of the tune – but it still had to be recognisable as the tune.
Stage two: we add notes back in, either from the original tune or using similar figures.
Stage three: as we tried things out, I wrote down some of the ideas that came out. The two versions below represent some of the ideas that came out during that experimentation. They are not supposed to be definitive versions but rather examples of what can happen if you play around with a tune in this way.
Deborah is a violinist and violist specialising in English folk music. She trained in viola and Baroque viola at Birmingham Conservatoire, before returning to her first love of traditional music, song and dance.
Deborah has developed a passion for playing for dancing since joining her first ceilidh band at age 13. She is a member of Stepling, a band performing English music, step-dance, song and percussion, and also plays with Folk Dance Remixed, a dance company combining traditional dance with hip hop and street dance styles, with whom she has performed as such events as Car Fest, the Southbank's Festival of Love and Glasgow's Commonwealth Games Festival.
Deborah records on a regular basis for a number of people, including The Mystery Fax Machine Orchestra, and for Laurel Swift's 'Travelling with Thomas' musical.
She teaches music, song and dance regularly for The English Folk Dance and Song Society, as well as on a freelance basis for various workshop series, festivals and music services. Deborah recently completed The Teaching Musician MA degree course at Trinity Laban, graduating with Distinction.
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New Ealing Sessions 