Here are the videos from Monday 11th session, with apologies for the lateness! Idbury Hill is a Morris tune, from the Fieldtown tradition. The first video is a slow version of the tune – have a good listen before you start to learn or relearn it:
Here’s a walk through of the tune:
Once you’ve got the tune under your fingers, here are some videos on 1. ornamentation and 2. varying the tune:
Finally here’s a video with a play through including ornaments and variation, and a PDF with some of the ideas covered in the above videos.
Here are the dots – click here for a PDF, and a here for a PDF of the two chord sequences we tried.
Here is the Newtondale Hornpipe, a fantastic tune with trad roots which was adapted and reworked by fiddler extraordinaire Dave Shepherd. There’s a fantastic recording of the tune on the album Dave made with Becky Price, Ashburnham, which can be found here. I learned this tune recently from fiddler Nick Goode.
Here are the dots, with a PDF here:
Here’s Black Nag, also from January 13th, a tune from the Playford collection (1657 edition). We learned the tune and then created a variation in the B section by substituting different melodic shapes for the argeggios in the original.
Here’s the PDF.
A delayed post from January 13th: Bacca Pipes is a tune and dance from the Cotswold Morris tradition and is danced over two crossed tobacco pipes, making it a form of sword dance of the kind found across Europe. It’s related to the tune Greensleeves and was collected by Cecil Sharp on August 30th 1909 from musician Thomas Delaney in Sevenhampton, Wiltshire.
Here are the dots, with a PDF here:
Here’s Goddesses, a tune from the Playford collection.
Here are the dots with a PDF available here:
Printed versions often have the last bar of each section printed the other way around, so as ‘crotchet crotchet minim’ – I’ve always played it this way and I can’t remember why! Apart from that I like it, and that seems as good a reason as any to me!
Here is the piece we learned on Monday 11th November, Carol of the Bells. This was arranged by Ukrainian composer Mykola Leontovych in 1914, based on a Ukrainian folk chant called ‘Shchedryk’. We divided the piece into four phrases – phrases one and two can be played simultaneouly and with the bass line. The structure is pretty free at the moment, with everyone following my hand signals, we might formalise it later.
And here are the dots, with a PDF available here:
This is Tralee Gaol, an Irish polka that I know from playing for ceilidhs. It goes by many names and seems to be pretty widespread in Ireland and also across various parts of the world!
Here’s the video:
And the dots are here, with a PDF also available:
Here is the tune ‘The Mallard no 2’. It’s in Dave Townsend’s English Dance Tunes book but I can’t find it anywhere else – there are other tunes and songs that share the title but none with the same melody.
The PDF can be found here. Fiddle players might want to try double stopping with the open G string in the first two bars, then the D string in the next bar before going back to the G string for bars five and six. In the second section, you can double stop with the open G string for the first three bars.
Here’s the video from Dave’s session on April 8th, with apologies for the delay in posting. Here’s the tune:
…and here’s the chord part:
The dots for this tune can be found by clicking here. Massive thanks to the incredible Dave Delarre for this great session, and I’ll be back for the beginning of next term on April 29th.
Here are the video and dots for An Blew Treghy, with huge thanks to Beth Gifford for covering the class. An Blew Treghys is a Cornish Tune which Beth learned from the singing of Aimee Leonard and recorded by Aimee’s band Anam on their album Riptide.
The dots can be found as a PDF file here.